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[Cross-posted at Our Changing Landscape]
I had vowed not to do anymore fashion pieces on Michelle Obama. But this takes the cake. The dress she wore to the State Dinner for China's President Hu Jintao looks like some kind of modern tied-dye African costume, clumsily cut as though somewhat was "cut happy" with the scissors, and with parts which look like they were assembled together with safety pins. There is that odd asymmetrical, off-the-shoulder look that Obama seems to like so much. And she's holding some kind of miniature shawl (scroll down to the second image) which has no relation, either in design or in proportion, to the rest of the dress. Bloggers (and Drudge) are calling this her tribute to "China Red", but I don't see that, especially with all the black "tie-dye" criss-crossing pattern.
It always surprises me when Obama comes out with her dresses. I can find no way to relate to them, and their strangeness strikes me each time. Perhaps this really is her, unique, sense of dress. But, I will go further, as I have before, that she has nowhere to pull from that will give her good judgment on her choices. She might be the most visual (yet thoroughly ignored) manifestation of the Obama government. A government which bows down, literally, to foreign leaders, channeling something that is not at all an American tradition. In fact, it is so strangely alien, that it could be why people (journalists, bloggers) are stunned into silence by this behavior.
Just like Michelle's odd, culturally unrecognizable, dresses.
The dress was designed by Alexander McQueen's replacement, and long-time design partner, Sarah Burton. McQueen, a flamboyant homosexual, committed suicide in 2010. Burton designs these amorphous gowns with unrecognizable patterns It looks like she takes some rough shape and simply replicates it through mirroring and repeats
Burton was recently featured in January 2011's Vogue (US). The image below is a spread in the magazine. At first glance, the gowns looks impressive, dramatic even. But, fashion magazine buyers (like me, at least) look at details from shoes to buttons. Add to that my experience with textile design, and all I could say was 'This is fluff."
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Look at this dress (it easier to work with) from the Paris Fashion Week (via the Los Angeles Times):
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There is no discernible pattern, other than dramatic strokes (which look like flames, or a giant flower, but we're still not clear what it is). And I've added a red line in the middle where the image has clearly been mirrored on to the other side.
Such design techniques are rudimentary and basic. This is one of the first things I did when I started my studies. Just quickly draw rough brush strokes, and mirror-copy them with the "mirror" angled at ninety, forty-five, etc. degrees.
Burton also seems to channel some kind of ethnic or multicultural sources. Here is a fashion blog Styling Delux who has posted some of Burton's designs. Two of them look like kimono-type gowns, and there is the dress Michelle wore which looks like an elaborate African-style gown. But, even African fashion is more sophisticated than that.
Burns is British. I seem to want to associate her with that British faux-artiste Damien Hirst, and his famous Butterfly Series, which he did with real live (dead) butterflies, which he also elaborated using mirror-imaging techniques. Burns also has a butterfly dress, replete with 3-D butterflies, which I hope are not real.