Tuesday, July 26, 2011

What's the song?

"Baa Baa Black Sheep"
Illustration by children's
books illustrator
Blanche Fisher Wright


What's this song?

"Ba ba ba ba, bababababa!"

Of course, it's "Baa baa black sheep, have you any wool?"

Courtesy of my little toddler neighbor across the street, singing the first line full throttle, and perfectly in tune.

He only "knows" the first line - so far.

Baa baa black sheep (Youtbe link, in case you don't know it. :).

Baa, baa, black sheep,
Have you any wool?
Yes sir, yes sir,
Three bags full.

One for my master,
One for my dame,
And one for the little boy
Who lives down the lane.

Baa, baa, black sheep,
Have you any wool?
Yes sir, yes sir,
Three bags full.

As always with "critics" of contemporary culture, there is an insidious attempt to destroy (or "reform") traditional culture. Here is what Wikipedia says about the song :
Modern controversies

A controversy emerged over changing the language of 'Baa Baa Black Sheep' in Britain from 1986, because, it was alleged in the popular press, it was seen as racially dubious. This was, as Curran, Pently and Gaber indicate, based only on a rewriting of the rhyme in one private nursery as an exercise for the children there and not on any local government policy. A similar controversy emerged in 1999 when reservations about the rhyme were submitted to Birmingham City Council by a working group on racism in children's resources, which were never approved or implemented.[5] Two private nurseries in Oxfordshire in 2006 altered the song to "Baa Baa Rainbow Sheep", with black being replaced with a variety of other adjectives, like "happy, sad, hopping" and "pink". Commentators have asserted that these controversies have been exaggerated or distorted by some elements of the press as part of a more general campaign against political correctness.
You can read more of this at Wikipedia. Proceed with caution.

About Blanche Fisher Wright:
At this point, I read to my daughter from The Real Mother Goose mostly as an excuse to pour over the illustrations by Blanche Fisher Wright. Elegant and utterly charming, they sit shoulder to shoulder with the work of the great turn-of-the-century illustrators like Edward Penfield and Jesse Wilcox Smith (Philly’s own, Smith, born in Mt. Airy, studied at PAFA under Thomas Eakins and Howard Pyle at the Brandywine School) But what really captivates me about her work is the degree to which, stylistically, they recall the work of Art Nouveau masters like Alphons Mucha. They share the regal faces, flowing outlines, graphic crispness and posterlike composition. What transforms them into bewitching illustrations is her wonderful animating sense of gesture and flair for scene staging. Given her skill and achievement, her complete anonymity is surprising. Other than a few basic illustration credits, no biographical information exists online. She is absent from Walt Reed’s comprehensive Illustrator in America survey. Although The Real Mother Goose remains in print and easily available, Blanche Fisher Wright, at least for now, seems a near to complete mystery.
I'm just glad that this little boy sings the nursery rhyme with such gusto.